Horror

Kevin Williamson, the writer of teen horror classics Scream and I Know What You Did Last Summer, has been a staple in the world of film and television since the 1990s, and Deadline reports today that Williamson’s next venture partners him up with Universal Television. Deadline reports, “Under an overall deal for Williamson and his
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Fresh off the World Premiere at the Sundance Film Festival 2024, Saint Maud director Rose Glass’s romantic thriller Love Lies Bleeding is coming to theaters March 8. A new trailer for Love Lies Bleeding will be hitting the internet tomorrow (February 7), but while you wait you can check out some brand new character posters down below. Katy O’Brian stars
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Horror icon Barbara Crampton (Re-Animator, Suitable Flesh) and more join Faith Based actor Luke Barnett in the creepy thriller Teacher’s Pet. The upcoming thriller centers on “a malevolent new high school teacher with a sinister past who becomes disturbingly fixated on a brilliant female student. As he unveils his true sociopathic nature, the young woman is forced to navigate a treacherous battle
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Last year’s viral hit Winnie the Pooh: Blood and Honey is getting a sequel this year, and Jagged Edge Productions has released the film’s bloody official trailer this morning. The team has promised that returning director Rhys Frake-Waterfield’s Winnie the Pooh: Blood and Honey II will be bigger, better and bloodier than the first film,
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In the canon of high school-set slashers, Departing Seniors is a moderate achiever — the middle of the pack. Jose Nateras’ screenplay massages LGBTQ+ themes into an adorable-awkward-angsty teen romance threatened by deadly obstacles (outside cruel bigotry). It’s refreshingly genuine in terms of treating queer relationships with normalcy, but schoolyard slasher tension dulls without sharp
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In the canon of high school-set slashers, Departing Seniors is a moderate achiever — the middle of the pack. Jose Nateras’ screenplay massages LGBTQ+ themes into an adorable-awkward-angsty teen romance threatened by deadly obstacles (outside cruel bigotry). It’s refreshingly genuine in terms of treating queer relationships with normalcy, but schoolyard slasher tension dulls without sharp
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