Horror

Warner Bros. made the announcement late last year that they’re bringing their entire current 2021 theatrical slate to both theaters and the WarnerMedia streaming service HBO Max at the very same time, and that includes huge films like Godzilla vs. Kong, Dune, The Conjuring: The Devil Made Me Do It, James Wan’s Malignant, Mortal Kombat and more. That all sounds great, yeah? Well,
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Oscar Isaac is headed back into the world of Marvel with the upcoming Disney+ series “Moon Knight,” which is being developed by Jeremy Slater (“The Exorcist”). Mohamed Diab (Clash) is on board as director and showrunner, and The Hollywood Reporter brings us the exciting word this week that Justin Benson and Aaron Moorhead (Resolution, Spring, V/H/S:
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The ball is in your court, Blumhouse. There may be no actual connections between the two but there’s no denying that Christopher Landon‘s horror-comedy slasher movies Happy Death Day and Freaky both seem to exist within the very same universe. They have incredibly similar sensibilities, at the very least, which has led many fans to
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Robert Rodriguez (From Dusk Till Dawn, Sin City, Planet Terror, Machete) returns to the kid-friendly vibes of the Spy Kids movies with Netflix‘s We Can Be Heroes, which just launched globally on Netflix on December 25. And the film has proven to be a hit for the streaming service, as it’s projected that 44 million households will have watched it
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It has been a tumultuous year for the music industry, but there was never a loss of resiliency or creativity. This year, the Lovecraft Country soundtrack made history by becoming the first-ever series scored by an online orchestra, with players from Metropolitan Opera, New York Philharmonic, Chicago Symphony and the Toronto Symphony recording solo in
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