Jodi Marxbury

Connecticut native Jason Young’s fifth album with his project Heartour entitled R u in illustrates his ongoing progression as a songwriter and performer. The album’s ten songs vary in mood and presentation though there are abiding stylistic elements each cut shares; Young, if nothing else, writes and records albums that always hang together. This latest foray for
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Something happens in the streets of a large city. It’s its own ecosystem of sounds and assembly lines of people, day-in, day-out. It’s one thing to capture that sound, it’s another thing to infuse the listener into its world. Rapper extraordinaire Shemie Rozay’s “City Drop” takes the listener deep into an atmosphere of persistence and
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“Hold me close when the hour nears / Close the curtain before you fade / Tonight… It’s Alright…” croons a cryptic voice from behind a haze of string play in “South of Yesterday,” one of the four songs on Izzie’s Caravan’s new EP Zephyrs. A follow-up to 2019’s Leo’s Guitar, Zephyrs is by far the more melodic and poetic
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Project Grand Slam have been making headlines in both the independent and mainstream music press for years now, and when listening to their latest album, East Side Sessions, it’s easy to understand why. Led by the one and only Robert Miller on bass, Project Grand Slam are a band that doesn’t play by the rules, and
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“Smile” is the latest single from Wisconsin’s AV Super Sunshine, the latest entry in a discography that began in 2015 and has accumulated many fine moments and powerful recordings during his nearly five year musical journey under this moniker. We often laud artists in reviews as being “unique” or “like no one else today” and
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Swathed between two flutes and a mesmerizing piano, the new instrumental song “Liama” is a lovely reminder to slow things down and listen to the music. Ensconced in an imaginative song for the listener’s taking, the duo behind “Liama” are New Jersey’s Steve Markoff and Patricia Lazzara, with Allison Brewster Franzetti helming the piano. As
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Slow-churning but slicker than most anything else I’ve heard out of the underground lately, the beats that define the mood of the music in “The Coronavirus,” Darrell Kelley’s latest single, are by far the most evocative component to behold in this white-hot track from the acclaimed indie R&B crooner (which is saying a lot considering
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Artists, particularly in pop music, use a lot of different weapons when they get into a battle for their audience’s affections, and for Giadora, vocal harmonies are the bread and butter of her war chest. Songs like her latest single “Naïve” require a lot of moxie from behind the microphone, but she doesn’t back down from
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Though rather barebones by design, the strings that produce the foundational melody in Captain Dane-O’s single “A Long Time Ago” are strangely hypnotic right out of the box, and despite their jagged arrangement, they arguably serve as a more entrancing element than any other in the whole of the song. In a “A Long Time
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A piano’s keys issue a painful melody that Mike Rickard picks up and turns into a pointed harmony with little more than his soft, entrancing voice as we listen in on the opening bars of “Surrender,” the closing track of his album Out Loud, but despite the heady dose of emotionality that we receive in
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