Oppenheimer’s Josh Hartnett Explains Why It Was ‘Refreshing’ To Work With Christopher Nolan

Oppenheimer’s Josh Hartnett Explains Why It Was ‘Refreshing’ To Work With Christopher Nolan

Movies



Being a film actor is a job that generally requires a lot of patience. On a set, any given shot has a lot of people performing specific tasks, and there is a great deal of repetition thanks to both multiple takes and multiple angles that ensure the director gets everything they want before taking the material to the editing room. Of course, different filmmakers work different ways, and for Josh Hartnett on the set of Oppenheimer, he was impressed by the efficiency and speed of Christopher Nolan.

Hartnett, best known for movies like The Faculty and Black Hawk Down, is in the midst of a career renaissance, and The Hollywood Reporter recently caught up with him about his recent work. The actor is in The Bear Season 3 (now streamable with a Hulu subscription) and he is in M. Night Shyamalan‘s new film Trap (in theaters this August), but he also reflected on his experience working with the Oscar-winning Christopher Nolan in the making of Oppenheimer. He told the trade,

I’ve never shot anything, including micro-budget independent films, that shoot as quickly as Chris [Nolan] does. I find that refreshing. He’s not overly precious. The scripts are written really specifically, and the actors are all so dialed into their characters that he gets what he wants immediately, and then just shoots a little coverage and he’s done.



View Original Source Here

Articles You May Like

Ridley Scott Explained Why He Built His Own Colosseum For Gladiator II Rather Than Shooting On Location Or Making It CGI
Wicked’s Jon M. Chu Reveals ‘Emotionally Beautiful Moment’ He Had During A Screening Of The Film, And As A Fan, My Heart Is So Full
Golden Globes 2025: Complete Winners List
Must Read: The Louis Vuitton x Murakami Re-edition Collection Is Here, Ghanian Secondhand Market Devastated by Fire
Annie Wilkes Is a Patron Saint of Feminine Rage in Stephen King’s ‘Misery’ [The Lady Killers Podcast]